We play music of several different directions, and time itself shows us the moment of this or that movement, tools, styles, directions vary, all begins anew.

We play music on jew's harps (khomuses), one of the most ancient musical instrument, - music of different nations of the world, that have heard and have created, music of Happiness and an openness of the Earth. And we tell about the Way and Force by the Voice of the Earth - a throat singing, how once in old time ancient legends and bogatyrs came to life - the alive epos means development and a life of heroes, path on which Ways from the past come to our present, about meaning of the life and Light. Also it would be possible to name our music - an instrumental lute music of the old Europe, melodies of the East and Asia. We play it in a new understanding sounding old Harmony. In fact everything is changing, and there is nothing constant. Wish to listen? Come on our concert or write to us.

Music, vibrations of a sound, merging with vibrations of the world create new. It is a Creation. All constantly change, moves, in search. There is no improvisation, there is no rehearsal: it's all one. You create, you play before Infinity. And it closely listens.

The new program " the Legend of Scythians, their origin and their end the beginning of the text of the epos Nobody knows, whence they have come and where have disappeared, but everyone feels force of breath from the immemorial times in this history. The epos is a particle of alive history, that is not described in annals, but that the Earth and Its Children remembers. The alive epos is not a learnt texts, but the animated pictures described by the storyteller, heroes and Forces dictating an outline. The epos is a part of ancient art and action when there was no division into art and magic action. The epos is a reference to ancient and deep Force, that opens when look intently in the Essence of everything. The voice of the narrator and sound of its musical instrument is analive bridge on which everyone can pass in a revealing reality of Force. Therefore the epos is a solo creation: throat singing, a voice of the Earth, as the Way, and a sound of an instrument as a true horse, build the road to uncertainty. We sing, we create the epos in tradition of the New, not described by material culture, but resived directly. In the program "CALL" - throat singing, buben, (tambourine), jew's harp (vargan, khomus), topshur (Altai two-string instrument) or al oud - we sing about the Earth and address to the Source. We tell about the Way, about internal and that it's all one. " Shaman Ritual ", the Taiga

Lute music of the old Europe (14-16 centuries) (the Syrian lute, buben, tambourine, darbuk, jew's harp (vargan, khomus), percussion): The melodies which went through centuries, music of people, dances, cantigas. Unity of melodies and consciousness of the time. In our music the Source sounds. Weltcher, Kruzhenie , the Lullaby .

The jew's harp (vargan, khomus) music of Dzian Senaro is melodies and rhythms, sounds of the Earth, alive, it jew's harp and a synthesizer, jew's harp and a voice, it jew's harp, homuz, komus, kubyz, dan moi... And vargan.

In the program Piyot/laughter, Vargan and Something else, we create playing with different sounds in which we have found the Force, on jew's harps of different nations (Altay, Yakut, Bashkir, Vietnamese, Chinese). Whatever sounds: the guitar, a flute, a violin or percussion unites them together a jew's harp, examples on an album: " Pijot \ Laughter "

Melodies of the Near East - a traditional voice of the Syrian lute - al-oud and a drum of the Earth - darbuk - with throat singing.
Music of Movement. Music of the open space.
Maqsum, Chants Popular (16 century)

ARE RECORDED The jew's harp ALBUMS:
Speciality of all albums of DZIAN SENARO is an "alive", direct, simultaneous, sometimes "field" and concert recording.

"All it on khomus": The jew's harp album - all opportunities of jew's harp which we knew and which we could play. So: Everything that is here , Singkhron, Theme , Signals of theSpace, ROCK (Modern style), Spirit of steppe (Infinity) , Dialogue of Komuses .
" Pijot \ Laughter " - jew's harp and something else: the Music which is giving birth to the world, the World born by music. The jew's harp and playng with different sounds which we found and in which we found the Force Examples: Yang Sorpati Zhipro Poordon
" Tajpo Vir / Open Here " - The jew's harp and Melodies: the Music creating the world, Happiness and Force, Untwisting the Wheel of New Example: Polrutang

Concerts
On November, 4th, Saturday - a concert " the Legend on Scythians, their origin and the end " on rekonstruction festival Zilantkon-2006 in Kazan, throat singing, topshur, buben, tambourine.

We played at festivals as Moscow ("Ethnolife", "Moskon"), and regional (Kazan "Zilantkon-2003, -2004", Izhevsk " the New song of the ancient ground ", Nizhni Novgorod "Volkon", Tomsk "Sibkon"), acted in Krasnoyarsk, now we play clubs of Moscow.

Demos on realmusic.ru
YU.T. (in memory of the left friend)

Sirian lute, al-oud (la-oud or al oud - on arabian the tree is literally) - string the tool, a primogenitor of a popular medieval European lute of IX century and subsequently the guitars, sung in well-known " One thousand and one night ". One of the most ancient tools widespread in the Near East, Caucasus, Central Asia. It is known since VI century. The case is made from a tree or from a pumpkin, under the form reminds a cut of an olive, a signature stamp short without lads, the head is unbent back, a deck flat with 1 - 3 apertures. Originally had 4 strings; in IX century Ziriab has added 5-th string. At modern tools of 5 dual strings - "choruses" (6-th is sometimes added, bass). A sound soft, quiet. Today al-oud is the basic musical instrument in the Arabian and Armenian music. In VIII century, during invasion of moors, the tool gets into Spain and has very quickly won the Europe, becoming (beginning) known as a lute. On it sang in Middle Ages the songs of the minstrel and troubadours in Italy, France, Germany and other European countries.

Vargan (altain komus, khomus, jews harp) - the most ancient self-sounding a musical instrument. In this or that form meets in ancient cultures of the majority of nations of the world. Vargan since olden days the tool connecting the person with the Source, for dialogue with the Nature.
Down to 18 centuries has been widely widespread in all territory of Eurasia, Western and the East Europe, Russia, Siberia, Central Asia.
To learn it is more about this tool it is possible here.

Buben - also one of the most ancient musical instruments at many nations of the world. In an antiquity shamen, representing buben (tambourine) the horse or a deer, made travel, Trees moved on World (Global), addressed to Forces of the Nature and the Source.
Here it is possible prohonour a fairy tale on magic force of game on buben.

Times of the Middle Ages in the Europe have been penetrated by comprehension of the Maximum (Supreme) beginning, and all life has been subordinated to it (this).
In music it there was a special (perfect(absolute)) harmony and rhythmics, three-part a pulsation, as reflection three-combine the General (Common), unity of a melody - as Unity of all under the uniform beginning, to which all striving.
Music was spiritual (church chanting, prays, eulogy), noble and national.

Brief historic-ethnographic deviation and legends The Internet-version of a direct air with group Dzian Senaro on radio " Culture " (91,6 FM) The brief picture story about a concert of group 7-03-2003 The Internet-version of the air with group Dzian Senaro on a telechannel "Teleinform"

As played on vargan in Middle Ages ;-)

Contacts: wisest@mail.ru

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